Viewing entries in
2010

November 2010

November 2010

Elena Volkova | Proofs
Renee Van Der Stelt | Recordings

Hamiltonian Gallery is pleased to present a new exhibition in two parts: Elena Volkova, Proofs; and Renee Van Der Stelt, Recordings. Both artists employ site-speci city in their practices by utilizing a given environment to shape the outcome of their work. By analyzing the nature of perception, Volkova has shown light on the viewer while Van Der Stelt has given us beautiful images of nature that illicit a poetic sense of time and space. 

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November 6– December 4, 2010



Opening Reception:
Saturday, November 6
7–9 pm


Hamiltonian Artists:
Elena Volkova

September 2010

September 2010

James Rieck | Mead Hall
Jonathan Monaghan | Life Tastes Good in Disco Heaven

Hamiltonian Gallery is pleased to announce a new exhibition where fairy tale meets esh in two parts: James Rieck, Mead Hall; and Jonathan Monaghan, Life Tastes Good in Disco Heaven. Whether in Monaghan’s digital constructs or Rieck’s masterly-engineered paintings, both artists appropriate the iconographies of storytelling and marketing to question notions of power and subjugation.

Five paintings comprise the series Mead Hall, inspired by the heroic epic poem Beowulf, and The Monsters and the Critics, J.R.R. Tolkien’s consequential 1936 lecture on the literary work. James Rieck deftly arranges cropped images from historical paintings, seductive women, and medieval props to pres- ent a contemporary interpretation of the themes of the medieval classic.

The soft, predominately gray paint with ecks of glittery mica lure the viewer to further discover an elaborately crafted mythos of castration. Though subtle, Rieck offers us abject bodies of pale skin,
fur, fabric, and steel caught in a state pretension and pose. In the painting Judith, Rieck explores the
art historical underpinnings of classical female characters, further convoluting the depiction of sex and violence through the eroticization of death. The thematic depictions of sexy heroes and their slain beasts bring to life female personas, which usurp the previously comfortable role of the masculine ego.

Jonathan Monaghan explores the dialectical nature of an increasingly simulated world with his new work, Life Tastes Good In Disco Heaven. Monaghan’s work ultimately is about indifference and loss, which is illustrated by integrating corporate iconography into pseudo-religious landscapes. His iconic subject matter is both familiar and alien playing on our desires, dreams, and dread. His virtual creations allude to the eerily present dilemma of responsible consumption. By subverting popular commercial cul- ture, Monaghan’s work presents a moral question left unanswered. 

click here to download a copy of the press release

September 18– October 30, 2010



Opening Reception:
Saturday, September 18
7–9 pm


Hamiltonian Artists:
Jonathan Monaghan

July 2010

July 2010

New. (Now).

After another outstanding year of artist-centric programming, Hamiltonian Artists has selected five new, distinguished Hamiltonian Fellows for 2010 to join our five existing Fellows. We are thrilled to introduce:

Selin Balci (MFA Candidate, University of Maryland)

Ryan Hoover (MFA, Maryland Institute College of Art, Mount Royal School of Art)

Joyce Lee (MFA, Maryland Institute College of Art, Mount Royal School of Art)

Jessica Van Brakle (BFA, Corcoran Collge of Art + Design)

Elena Volkova (MFA, Maryland Institute College of Art)

On Saturday, July 24, 2010, from 7-9pm, Hamiltonian Gallery will open an introductory group exhibition of these five new Fellows. Each artist will be displaying the work with which they were accepted. The exhibition will run from July 24 - September 4, 2010. Please join us!

The five new 2010 So-Hamiltonian Fellows were selected from a pool of over 130 very promising applicants this year. Hamiltonian Artists brought together seven incredibly acclaimed art professionals to comprise the External Review Panel. The External Review Panel caucused together, and evaluated every application based on criteria regarding technical merit, originality and relevance to today’s art world. Panelists were also asked to discuss how well they thought the applicant would benefit from the program that Hamiltonian provides.

We would like to express our sincere gratitude to the panelists for their generosity and enthusiastic support of this endeavor:

Dadi Akhavan - Art Patron and Collector
Dawn Gavin - Artist, Associate Professor at University of Maryland
Rebecca Jones - Director of Project 4 Gallery
Vivienne M. Lassman - Independent Curator and Art Advisor
Maggie Michael - Artist
Jamie Smith - Art Historian and Co-Founder of Conner Contemporary
Ivan Witenstein - Artist, and Faculty at Corcoran College of Art + Design

click here to download a copy of the press release

July 24– September 4 2010


Opening Reception:
Saturday, July 24
7–9 pm


June 2010

June 2010

Private Practice | Bad Ideas, Dead Ends and Guilty Pleasures

Each Spring, Hamiltonian Gallery culminates its year of exhibitions by selecting an established artist to curate and exhibit in a group show that will include all of the Hamiltonian Fellows. This year, we are honored to have renowned sculptor, David Page, to conceptualize the theme for this show, and put to task the Hamiltonian Fellows as well as himself.

click here to download a copy of the press release

June 19- July 17, 2010


Opening Reception:
Saturday, June 19
7-9 pm

May 2010

May 2010

Magnolia Laurie + Lina Vargas De La Hoz + Leah Frankel

Hamiltonian Gallery is pleased to present a new three-person exhibition of paintings and installations by Hamiltonian Fellows Magnolia Laurie, Lina Vargas De La Hoz and Leah Frankel. By presenting physically binary relationships such as inside/outside and construction/destruction, each artist investigates exchanges of energies, and the ebb and flow of natural and social forces.

Within her paintings and installations, Magnolia Laurie creates environments centered upon masses of broken, crooked lines that could resemble a dense, organized nest, the aftermath of a natural disaster or an architectural armature. Due to Laurie’s manipulation of perspective and line quality, these structures are always just short of being logical. Magnolia Laurie’s arrested jumble of lines, flags, plastic fencing, gusts of dusty wind and color all develop into a haphazard system that depicts the automatic, and sometimes incessant, obsessive human need to build and create. Magnolia Laurie relates this act of construction and destruction to the cyclical rise and fall of civilizations.

Lina Vargas De La Hoz designs and creates objects that tenant, command, and address its surrounding space. One work, “Pull Over “, is composed of repurposed knit sweaters sewn together and stretched tautly across the gallery so that the neck and armholes are intact. We interact with the plane of sweaters by approaching it from underneath, and putting our heads and arms up through the holes where we can then see the top surface of the installation, and the heads and arms of the other participants. The expanse of blue sweaters cut through the gallery to create two literal and psychological spaces, analogous to above and under water, or penetrating borders.

In Leah Frankel’s installation titled (im)Balance, formed spheres of ice nestled in mounds of table salt are flecked throughout the gallery floor. Incontestably, the salt will melt the ice and the water will dissolve the salt, but in that process of cancelling each other out, themes of codependency and dominance emerge. Once the process ends, we are left with ambiguous, geological forms, which depict the results of the destructive exchange between these quotidian elements.

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May 8 – June 9 2010


Opening Reception:
Saturday, May 8
7–9 pm



March 2010

March 2010

Katherine Mann + Michael Enn Sirvet + Christian Benefiel

Hamiltonian Gallery is pleased to announce an exhibition of new works by Hamiltonian Fellows Katherine Mann, Michael Enn Sirvet and Christian Benefiel.  In moments both subtle and cacophonous, each artist reflects on often-overlooked nuances in their environments in which they live and environments created through their work. 

Katherine Mann’s paintings take the viewer into wildly vivid landscapes that teeter between recognizable matter and abstraction.  Mann initiates her paintings with pours of ink and paint and creates a colorful base of blobby stains bleeding into one another.  On top sit carefully rendered shapes, outlined drips and structures that form interlocking systems.  Mann elegantly overflows her paintings with ambiguous forms, which recall elements found in the sea, in the sky, and under the microscope, yet remain unidentifiable. Katherine Mann relates this poetic smash-up of incongruous pieces to her own life of heterogeneity.

Shingled cherry-wood plates umbrella out into an imposing conical shape, which gracefully hangs from the gallery ceiling.  Nature is the source of wonderment and inspiration for Michael Enn Sirvet’s abstracted, archetypal sculptures.  In his newest work, Sirvet creates structures on a scale relatable to one’s own body through forms that suggest a human-sized cocoon, a gigantic seedpod, or represent the feeling of wind enveloping the body.  Sirvet observes and restructures nature in his work to relay to the viewer his sense of reverence for nature.

Christian Benefiel literally draws from his environment by implementing reclaimed and recycled materials and parts made from disassembled, mass-produced, low quality construction debris.  By recontextualizing machine-made products, Benefiel imbues them with the essence of specialized labor and craft of building.  Benefiel’s assemblages physically engage the viewer to be more hands-on, which reflects his sincere nostalgia for a more authentic, handcrafted, production industry.

 

click here to download a copy of the press release

March 27 – May 1, 2010


Opening Reception:
Saturday, March 27
7–9 pm


February 2010

February 2010

Alex Kondner + Ian MacLean Davis + Linda Hesh + Bryan Rojsuontikul

Hamiltonian Gallery is pleased to present an exhibition of new works by Alex Kondner, Ian MacLean Davis, Linda Hesh and Bryan Rojsuontikul, opening Saturday, February 20, 2010.  Through the repetition of a particularly burdened word, object, material or image, each artist utilizes the visual residue of popular culture to address the roots of current sociopolitical mores.

In the series Evacuate, Alex Kondner trades in the seemingly nonessential physical attributes of traditional artist materials for disposable ones, such as play-sand and faux fur.  Excerpts from historical speeches and 80’s New Wave song lyrics mix to comprise the neon-colored sandy text in three paintings.  In other paintings, the repeated word “evacuate” fills the surface of the canvas while screen-printed images of apocalyptic Japanese landscapes float on top.  The contrasting elements of Kondner’s pieces bring to mind the blur of today’s frenetic visual culture.   

Ian MacLean Davis appropriates imagery from mass-produced sources drawn from fine art and pop culture.  Davis then distorts and layers these images to depict how technology and information saturation affect our memory and perception of gender.  Two paintings, Golem and Lithe, bring to mind clichéd male and female bodies from popular media.  Pours of syrupy paint are covered by overlapping threads of viscous enamel, masking an underlying image and portraying the murky lens with which the two sexes view each other.

In Words in Space, Bryan Rojsuontikul creates minimalist works by spray painting text on canvases faced with tiny foam balls that make up the underlayment of linoleum tile.  One work consists of the phrase “Art is Cancer” repeated on canvases differing only in their background colors.  Below the canvases, 80 silver floor tiles reflect the phrase back at the viewer.  Rojsuontikul relates this to the subtle evolution and growth of art, which he believes cannot be hindered or rationalized.

 

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February 20 - March 20, 2010


Opening Reception:
Saturday, February 20
7-9 pm.  


January 2010

January 2010

Call + Response | Images Answer Language

Curator's Note:

It’s common to hear complaints that there aren’t really any artists and writers in Washington, DC. We’ve heard it; we’ve even, perhaps, said it, back in those days of 2007 after we’d just moved here, Kira in September, William in December. But is it true?In June 2009, we both attended the opening at Civilian Arts Project of a show of rock concert posters created by artists from all over the East Coast. The crowd was large, friendly, and animated; the posters were sharp and imaginative and a thrill to look at; the atmosphere crackled with possibility and experimentation. At some point during the night, we said to each other, Let’s do this. Let’s make an art show of our own. Kira had done it before, once, in Miami, and a notion to pair writers and artists had been kicking around in William’s head for years. Other than that, we would work from scratch.

What started as an idea buoyed only by an attitude of Hey! Let’s curate an art show! is now, sixth months later, a reality. Sixteen writers and sixteen visual artists from Washington, DC, and beyond have paired to create artworks that resonate with each other in natural or strange but always exciting ways. For each pairing, the writer has provided the call and the visual artist has created the response. Call + Response’s participants have, as we hoped, given a new twist to the term the show is named for, traditionally referring to musicians playing off of each other. We believe the resulting paired works help to build a bridge between two distinct, fertile, and very much alive communities.

Artists and writers do live here. Many people wiser than us, with more years in the District, already knew it, but we had to come to it anew, in our own way. On the surface DC may seem to be more a bubbling cauldron of bureaucracy than 9 creativity, but that doesn’t mean that there’s nothing going on that a deeper look can’t reveal. In the process of pulling together artists and writers, we tapped a rich vein of creativity that could supply many more shows like this one. This show simply wouldn’t have been possible without generative grounds for creation. 

Beyond the thrill of bringing Call + Response to life, we hope that the show expands the dialogue between two creative communities right here in our backyard and beyond. (And we hope that you enjoy it!)

Start a conversation. Create something. Make it happen.

Curators: William John Bert, Kira Wisniewski

January 23-February 13, 2010